The Beach Boys- Surf’s Up (Pop-Rock,1971)[CAPP 070 SA]SACD-ISO
封面:
简介:
The Beach Boys: Surf’s Up
Analogue ProductionsCAPP 070 SA
Stereo Hybrid
Pop/Rock
The Beach Boys
The ultimate pressings of the Beach Boys discography from Analogue Productions!
Produced by the Beach Boys
Audio production — Mark Linett / For Brother Records — Elliott Lott
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Hybrid Stereo SACD plays in both CD and SACD players, as well as all SACD-compatible DVD players
“These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original.” — Chad Kassem, owner and CEO, Acoustic Sounds
A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, now presented here on Hybrid Stereo SACD, these are awesome recordings to experience.
Worth noting on Surf’s Up is Stephen Desper’s engineering work — the entire album was mixed to a center channel quad matrix that he was developing at the time.
Surf’s Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts — the highest chart placement the group had had since 1967. At the time of its release, Surf’s Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York’s legendary Carnegie Hall.
Carl Wilson makes solid contributions on Surf’s Up with “Long Promised Road” and “Feel Flows,” but the album’s twin jewels are both from Brian Wilson — “Til I Die” and the title track — one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album’s “Child Is Father to the Man” as a glorious coda.)
Surf’s Up track “A Day in the Life of a Tree” is the first in a series of Brian’s songs that close the album. It’s simultaneously one of Brian Wilson’s most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. “Til I Die,” isn’t the love song the title suggests; it’s a haunting, fatalistic piece of pop surrealism that appeared to signal Brian’s retirement from active life.
1. Don’t Go Near the Water
2. Long Promised Road
3. Take a Load Off Your Feet
4. Disney Girls (1957)
5. Student Demonstration Time
6. Feel Flows
7. Lookin’ at Tomorrow (A Welfare Song)
8. A Day in the Life of a Tree
9. ‘Til I Die
10. Surf’s Up
